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Iowa City Book Festival, UNESCO City of Literature, and more during Standards week

LM
Lisa Muccigrosso
Fri, Jun 13, 2025 8:38 PM

Friends: this year GBW's Standards is being held in Iowa City, a UNESCO
City of Literature, and our meeting coincides with the annual Iowa City
Book Festival. Plan your additional book-related activities by consulting
the Iowa City of Literature website here:
https://www.iowacityofliterature.org/icbf/

Serendipity offers up a talk by Johanna Drucker on Wednesday, October 8,
the evening before Standards officially begins. The talk is entitled
"Artists' Books: Critical Writing in the Field":

Artists’ books continue to be a hard-to-define and multifaceted field of
works made at the intersections of conceptual art, the craft of the book,
independent publishing, alternative culture and other aesthetic
motivations. No simple single lineage is shared by these works, and even
tracking them to an origin point (Illuminated manuscripts? The books of
William Blake? The 20th century avant-garde?) can be problematic. Artists’
books have remained more marginalized in the mainstream art world than
other forms like video or performance art, in part because they are also
difficult to exhibit in a way that lets them be read and experienced. The
challenges for critical writing in the field are thus logistical as well as
aesthetic. For a quarter of a century, JAB: The Journal of Artists’
Books
created
a vital forum for critical writing. Literally hundreds of writers from
dozens of countries contributed under the editorial vision of Brad Freeman.
The University of Iowa Press recently issued *The JAB Anthology, *a
selection of works published from the journal.

This talk looks at the contributions of JAB, relates these to other work
in the field including my *The Century of Artists’ Books *(1994, Granary
Books), and includes a personal note on the dilemmas of producing one’s own
artists’ books for decades. Brief interview clips with Brad Freeman will
also be part of the talk.

About the presenter: Johanna Drucker is an artist, writer, and scholar,
Emerita Breslauer and Distinguished Professor, UCLA, who has written and
published widely on topics related to visual forms of knowledge production,
the historiography of the alphabet, experimental visual poetry, art
history, and other topics. Her recent titles include *Affluvia: The Toxic
Off-Gassing of Affluent Culture *(Bridge Books, 2025), *Inventing the
Alphabet *(University of Chicago Press, 2022), and *Iliazd: Meta-Biography
of a Modernist *(Hopkins University Press (2020).

Time and location to be confirmed. Please visit
https://www.iowacityofliterature.org/icbf/ to keep an eye out for event
updates, or sign up for their newsletter. Extend your stay and soak it in!

Looking forward to seeing you in the Midwest,

Lisa Muccigrosso
University Library, Iowa State University (the other one) and local host

Friends: this year GBW's Standards is being held in Iowa City, a UNESCO City of Literature, and our meeting coincides with the annual Iowa City Book Festival. Plan your additional book-related activities by consulting the Iowa City of Literature website here: https://www.iowacityofliterature.org/icbf/ Serendipity offers up a talk by Johanna Drucker on Wednesday, October 8, the evening before Standards officially begins. The talk is entitled "Artists' Books: Critical Writing in the Field": Artists’ books continue to be a hard-to-define and multifaceted field of works made at the intersections of conceptual art, the craft of the book, independent publishing, alternative culture and other aesthetic motivations. No simple single lineage is shared by these works, and even tracking them to an origin point (Illuminated manuscripts? The books of William Blake? The 20th century avant-garde?) can be problematic. Artists’ books have remained more marginalized in the mainstream art world than other forms like video or performance art, in part because they are also difficult to exhibit in a way that lets them be read and experienced. The challenges for critical writing in the field are thus logistical as well as aesthetic. For a quarter of a century, *JAB: The Journal of Artists’ Books* created a vital forum for critical writing. Literally hundreds of writers from dozens of countries contributed under the editorial vision of Brad Freeman. The University of Iowa Press recently issued *The JAB Anthology, *a selection of works published from the journal. This talk looks at the contributions of *JAB,* relates these to other work in the field including my *The Century of Artists’ Books *(1994, Granary Books), and includes a personal note on the dilemmas of producing one’s own artists’ books for decades. Brief interview clips with Brad Freeman will also be part of the talk. About the presenter: Johanna Drucker is an artist, writer, and scholar, Emerita Breslauer and Distinguished Professor, UCLA, who has written and published widely on topics related to visual forms of knowledge production, the historiography of the alphabet, experimental visual poetry, art history, and other topics. Her recent titles include *Affluvia: The Toxic Off-Gassing of Affluent Culture *(Bridge Books, 2025), *Inventing the Alphabet *(University of Chicago Press, 2022), and *Iliazd: Meta-Biography of a Modernist *(Hopkins University Press (2020). Time and location to be confirmed. Please visit https://www.iowacityofliterature.org/icbf/ to keep an eye out for event updates, or sign up for their newsletter. Extend your stay and soak it in! Looking forward to seeing you in the Midwest, Lisa Muccigrosso University Library, Iowa State University (the other one) and local host